The political arena is tough and hardened — cross a line or the wrong people and payback is a proverbial you know what. Or worse.
Dinesh D’Souza paid a steep price for his mistake: D’Souza asked two people to contribute a total of $20,000 to the New York Senate campaign of Wendy Long, and later reimbursed them. He pled guilty and was sentenced to five years probation, eight months in a halfway house, a $30K fine, eight hours of community service each week, and therapy on a weekly basis.
It’s clear D’Souza was guilty. But it’s equally clear that others have committed exponentially worse campaign transgressions with only a slap on the wrist. Those others, however, had not produced a visual indictment of Obama: D’Souza’s 2012 Movie “2016: Obama’s America” grossed $33 million and revealed the radical, anti-American worldview of Barack Obama. Political reprisals swiftly warned the author/filmmaker: don’t you dare mess with Obama and the Progressive elites.
Rather than obeisance at the Progressive altar, Dinesh D’Souza served out his sentence, paid his fine, and doubled down with a new, hard-hitting film, Hillary’s America: The Secret History of the Democratic Party.
Hillary’s America opens with a lush scene of a concert hall, replete with a concert Steinway and a jazzy band playing Happy Days Are Here Again, reminiscent of flimflam artists of the past.
D’Souza’s hearing and sentencing are reenacted, with scenes and conversations from his halfway house incarceration interspersed throughout the one hour and forty-seven minute film, underlining lessons learned from seasoned cons.
Academy Award-winning producer of Schindler’s List, Gerald R. Molen, and Obama’s America director, Bruce Schooley, reunite to create a visually stunning film which artfully tells the history of the Democratic Party, Planned Parenthood, Saul Alinsky, and Hillary Clinton.
Dinesh D’Souza recounts the inception of the Democratic Party, founded by ardent racist slave owner, Andrew Jackson. Brutal and historically accurate scenes depict the inhumane treatment of slaves and the direct correlation between the Democratic Party and slavery.
As would be expected, The Left are frenetically pushing back. Dominick Suzanne-Mayer pens with tangible contempt at Consequence of Sound:
D’Souza is here to show you how, despite all these recent claims of racism and homophobia and violence against the Republican Party, it’s actually the Democrats who were slavers and Klansmen and rapists and political bullies and murderers.
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